Behind the sound
I’m a Montréal-based composer, sound designer and multi-instrumentalist creating bespoke audio experiences for visual storytelling — across film, games, theatre, documentaries, installations and immersive media.
The story of my music
Building upon over 20 years of instrumental practice, including formal studies in jazz guitar and trumpet, my work lives in the space between musical tradition, modern electronic composition, experimentation, and sound design — shaping an approach centered on harmony, texture, improvisation, and emotional storytelling.
Blending traditional instrumentation with analog and digital synthesis, I create meditative, melancholic, sci-fi–tinged sound worlds: intimate yet expansive, restrained yet immersive. Translating emotion into sound with clarity and intention.
Alongside composition, I create sound design and interactive audio systems for games and immersive experiences. Working across music, implementation and post-production allows me to develop cohesive sonic identities that support narrative, interaction and emotional engagement.
(member of La Guilde du Jeu Vidéo du Québec)
Where sound takes shape
Built through years of experimentation and refinement, the studio is designed as a streamlined creative environment tailored to my compositional approach — balancing speed, flexibility, and sonic depth. Combining traditional instruments, analog synthesizers, modular textures, and modern production tools, it allows for a wide range of sonic palettes while maintaining a cohesive cinematic identity.
The instruments are chosen not for variety alone, but for the way they interact: acoustic gesture, analog instability, tactile performance, and digital precision all feeding the same creative process. The result is a setup built for immediacy, expression, and atmospheric depth.
The Team
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Clients
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